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Donald “Eddy” Two-Rivers’ poem “Indian Land Dancing.” \n\nImage via Chicago Public Art Group","hasLongDescription":true,"strokeWidth":null,"color":"#723FA6","ordering":1724560990911374,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"110dae5a-b108-45e5-b513-d24ca9fb1711","textAlign":null,"text":"Indian Land Dancing Bricolage","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"564ea274-14b0-449f-9f37-b51ea590ddbd","isTextHidden":null,"clipSource":null,"mapImageId":"1952e6e4-47b2-4bcc-b0f0-b654dd686d26","coordinates":[41.7980691,-87.7061743],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"\"History of Chicago\" by Lucile Ward (1940) in the auditorium of Sawyer School \n\nWPA (The Works Progress Administration) Murals were a part of the New Deal program under President Franklin Delano Roosevelt. Like similar monuments that commemorate explorers and conquerors, WPA murals such as this one celebrate a narrative of discovery and Western colonialism, erasing Indigenous presence on the land and settler colonial violence. ","hasLongDescription":true,"strokeWidth":null,"color":"#448C2A","ordering":1724560990911854,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"cb02ca80-6ee7-4e88-98cb-31a8493c662d","textAlign":null,"text":"Sawyer Elementary School WPA Mural","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"c38bb0d4-0b55-41d1-a014-abdf289f6d86","isTextHidden":null,"clipSource":{},"mapImageId":"95bf9eb7-6311-4b2a-b307-80e9d916670a","coordinates":[41.8892499,-87.6243889],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This monument is one of several dedicated to René-Robert Cavalier Sieur de La Salle, an early non-Native explorer who traveled through what is now known as Illinois. 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The mural shows Father Marquette and Louis Joliet standing in front of a log cabin as Indigenous people and a trapper bring game in from a canoe. Native people not only provided guidance for these settlers but also materially sustained them as well. \nIronically, Wilderness Winter Scene, which depicts the centrality of Native people to settlers' survival, was installed across 1933-1934, overlapping with the centennial celebration of the Treaty of 1833, which orchestrated the removal of Native people from Illinois. This mural, along with more than 400 hundred others in the Chicago area were commissioned under the Public Works of Art Project (PWAP), previously known as the Works Progress Administration (WPA), which employed skilled artists under the New Deal. Rather than capture the complicated history of indigenous-settler interactions and the transformation of Native land this mural, along with many others installed during the WPA era, reduce it to an easily digestible story of progress. \n\nImage via Chicago Monuments Project. 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The land beneath the banner is part of Chicago's lakefill: land that was added to the original lakeshore beginning in the 19th century, after treaties ceding the land up to the lake were signed. Because this land did not exist when the treaties were signed, it remains unceded. In 1917, the Pokagon Band of Potawatomi sued the city for this land, in a case (Williams v. City of Chicago) that went all the way to the Supreme Court, which ruled against the Pokagon Band of Potawatomi.\n\nIn light of the 2020 protests which removed two Christopher Columbus from Chicago, and inspired by the Williams v. City of Chicago (1917), Carlson wanted to create a reminder and declaration of the original inhabitants and their ongoing presence within Chicago. This mural, not only created by a Native artist, but also in community with the Pokagon Band of Potawatomi, draws attention to the man-made lakefront as a breach of the treaty agreement. By declaring and reminding audiences that we are on Potawatomi land, Carlson pulls us to recognize that we reside not only on land which was stolen but also that colonial occupation continues today. 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Ryerson, who employed John J. Boyle to create “The Alarm.” Originally commissioned under the name “The Indian Family,” the monument is dedicated to the Odawa, one of several Indigenous peoples whose homelands include Chicago. The statue’s pedestal also holds a relief panel on each side, titled, “The Peace Pipe,” “The Corn Dance,” “Forestry,” and “The Hunt.\" Ryerson, sought to memorialize his relationship with the Odawa, but the representation ultimately cements Native people in time. Moreover, the monument was commissioned in the same period that violence against Native people was still ongoing in the West and Native children were being sent to Indian boarding schools. The creation of representations like these allowed settlers to romanticize Native people and think of them as entirely historical, while ignoring the ongoing atrocities against them.\n\nArtist: John J. Boyle\nFunder: Martin L. Ryerson\nDate: 1884\n\nPhoto by Alanscottwalker via Wikimedia Commons. 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Jolliet and Father Jacques Marquette were guided to the Indigenous transportation network at the Chicago portage that connected Lake Michigan to the Mississippi River Valley by Indigenous people. Yet despite the fact that they were passengers on their voyage led by Native guides, today, Jolliet and Marquette are remembered as the men who “discovered” Chicago. The relief at this location on Dusable Bridge memorializes the journey of Marquette and Jolliet. There are numerous monuments to the two throughout Chicago. They often depict Marquette and Joliet as larger than their Indigenous guides who are crouched. This perpetuates a false narrative of the subservience of Native peoples. \n\nDate: 1925","hasLongDescription":true,"strokeWidth":null,"color":"#E8B500","ordering":1724560990913294,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"f3e21754-794e-46b9-9b20-9931c1bf6328","textAlign":null,"text":"Tablet dedicated to Jolliet and Marquette (DuSable Bridge)","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"c38bb0d4-0b55-41d1-a014-abdf289f6d86","isTextHidden":null,"clipSource":null,"mapImageId":"cdfdd1ef-7c96-49a4-88ee-975b10d8fbce","coordinates":[42.0798884,-87.690496],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"In 2022, the village of Wilmette held a rededication ceremony that formally acknowledged that the village was founded on land belonging to the Council of Three Fires. The ceremony specifically honored the village's namesake Archange Ouilmette and her family, who were granted the land that became Wilmette in the 1829 Treaty of Prairie du Chien. In addition to the dedication of a plaque, the ceremony honored Sharon Hoogstraten, a seventh-generation descendant of Ouilmette and a photographer known for her portraits of Potawatomi people. For more on Hoogstraten, see https://hoogstratenphotography.com/.","hasLongDescription":true,"strokeWidth":null,"color":"#E8B500","ordering":1724560990913198,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"c2728981-24e7-4b28-8937-3d3cab55d06e","textAlign":null,"text":"Ouilmette Family Plaque","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"231182af-ef44-41da-8268-e6173102eed4","coordinates":[41.716828,-87.772102],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"The “Big Chief” steel and fiberglass statue stands at 30 feet tall (current world’s tallest \"cigar store Indian\") where Mead Ave. meets the Southwest highway in Oak Lawn. Depicting a Native American man with a headdress, the figure is shown with one arm raised covering his eyes from the sun and the other holding a bundle of sticks (likely cigars). Created by Wisconsin based company Creative Display, it was first bought for $14,000 by the now closed Cooke County Tobacco Warehouse. Like other so-called “Cigar Store Indians,” this iconography has been used nationally as advertisement for tobacco since the 17th century in England. Sometimes referred to as their much smaller renditions, “Virginie Men,” these tabletop statues were displayed in Eastern U.S. states to advertise tobacco sales but have since been enlarged and displayed outside of businesses for the same purpose.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886306,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"2177957c-6d85-4107-bbde-6c06cd5a8601","textAlign":null,"text":"Oak Lawn's \"Big Chief\"","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":null,"coordinates":[41.85791,-87.62076],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"George Pullman, the railway magnate, commissioned Danish sculptor Carl Rohl-Smith to create a large monument to the conflict which took place between Potawatomi and their allies and the evacuating American garrison of Fort Dearborn. Pullman placed the sculpture outside his mansion, near the believed site of the conflict.\n\nThe sculptor is believed to have modeled the Indigenous warriors in the sculpture by observing Lakota survivors of the Wounded Knee Massacre, interned at Fort Sheridan, north of Chicago. The finished sculpture was quite lurid, and was protested regularly until its removal from public view in 1997.\n\nThere are rumblings that the Prairie District Neighborhood Alliance and Preservation Chicago want the sculpture returned to its original site: \". . . this is history--it needs to be brought out for discussion.\" https://archive.ph/20130408211055/http://www.chicagoreader.com/features/stories/thebusiness/070323/\n\n*We have chosen not to include a photograph of this piece of iconography, due to its upsetting content and harmful representations of Indigenous People.\n\nArtist: Carl Rohl-Smith\nFunder: George Pullman\nDate: 1893 (created), 1997 (removed)","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886606,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"cd470d88-8e98-4218-9f3b-58508656e16e","textAlign":null,"text":"Former Site of \"Fort Dearborn Massacre\" Sculpture","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1726158423000,"radiusDisplayAngle":90,"showLength":null,"parentId":null,"isTextHidden":null,"clipSource":null,"mapImageId":null,"coordinates":null,"icon":null,"locked":false,"attributes":[],"isHidden":false,"frame":null,"label":null,"isCollapsed":true,"symbol":"dot","size":null,"description":null,"hasLongDescription":null,"strokeWidth":null,"color":"#C93535","ordering":1725076404887106,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"df0ec498-ecad-4a1c-95d1-267261cd5c55","textAlign":null,"text":"Statues, Monuments and Sculptures","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Group","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"50d27468-b2ba-46e7-945b-f3dffca2abfb","coordinates":[41.8892835,-87.624496],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"\"The Pioneers\" is one of four relief sculptures on each corner of the DuSable bridge. Depicting non-Native settlers who are guided by an angel, it represents the \"manifest destiny\" mindset that was popular in the 19th century and used to justify settler colonialism. Manifest destiny is the idea that land in the United States was “destined” for the United States’ use and had been set aside for white settlers by God. Under this mindset, Native people did not deserve the land they had because they were not Christian. \n\nArtist: James Earle Fraser (1928)\nFunder: William Wrigley Jr.\n\nPhoto by Joshua Friedlein, Newberry Consultant.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886006,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"f23e253d-6e26-4daa-bbda-6474f82c512f","textAlign":null,"text":"The Pioneers Relief Sculpture","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"b0fe6dda-b063-4a02-adb0-6e9935d752ed","coordinates":[41.8464587,-87.699368],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This monument is one of several dedicated to Louis Jolliet and Jesuit Father Jacques Marquette, the first European settlers to traverse the Indigenous portage in 1673. Marquette and Jolliet were guided every step of the way by Native people, but in spite of this support, monuments like this one show Marquette leading the journey, while the Native guide crouches behind him, in a submissive position. This is one of several depictions of Marquette and Jolliet throughout Chicago, each of which perpetuates a false narrative of the subservience of Native people.\n\nArtist: Hermon Atkins MacNeil\nDate: 1926\n\nPhoto by Jyoti Srivastava via Chicago Monuments Project.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885906,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"839229ce-f241-44c3-8111-3f0cc15a9c6e","textAlign":null,"text":"Jacques Marquette-Louis Jolliet Memorial ","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"9658c438-8946-4eb6-8e00-fd2d1a7a1a26","coordinates":[41.9112723,-87.6315539],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This statue of French explorer and fur trader Robert Cavelier de La Salle was created by artist Count Jacques de la Liang and commissioned by Lambert Tree in 1889. Originally casted in bronze in Belgium and transported to Chicago, this statue commemorates La Salle as he \"claims\" what is now known as Louisiana in 1682 and searched for the mouth of the Mississippi River. Although unable to reach where the Mississippi flows into the Gulf of Mexico, he extended French claims into Texas, enabling the later US claim following the Louisiana Purchase.\n\nArtist: Count Jacques de la Laing\nDate: 1889\n\nPhoto by Jyoti Srivastava via Chicago Monuments Project","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886906,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"6bedd40f-1bb4-4a36-a614-b89cd8a31fa5","textAlign":null,"text":"René-Robert Cavelier de La Salle Monument","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"031c143e-8e8c-46c8-83fb-a719a5c0e85b","isTextHidden":null,"clipSource":null,"mapImageId":"09585674-44c9-49d3-b5a6-fef29901001a","coordinates":[41.994695,-87.744701],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"These stained glass images in the Baptistry of the Queen of All Saints Cathedral retell a story of colonial expansion and assimilation. Looking across the room you can see Christopher Columbus’s arrival in America, the baptism of Chief Sauganash (Billy Caldwell) and his family by Father Badin, the settlement of Fort Dearborn, and lastly, the signing of the Treaty of 1833 (although it is labeled as 1835) which orchestrated the removal of Neshnabé (Potawatomi, Ojibwe and Odawa) people from Illinois.\n\nPhoto by Joshua Friedlein, Newberry Consultant","hasLongDescription":true,"strokeWidth":null,"color":"#2674BA","ordering":1724560990912814,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"1fd00afa-4520-4e17-ad14-056dfeb6b74f","textAlign":null,"text":"Queen Of All Saints Basilica","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"f9dfa119-5da0-4963-aa80-9c1793ef57a6","coordinates":[41.9332897,-87.6314122],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"\n\nArtist: Cyrus Dallin\nFunder: Lambert Tree\nDate: 1893\n\nPhoto by Alanscottwalker via Wikimedia Commons. ","hasLongDescription":false,"strokeWidth":null,"color":"#C93535","ordering":1725076404886806,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"34011318-7c23-49cf-93a9-c4fdb273ee6b","textAlign":null,"text":"A Signal of Peace","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"60276f4d-9f8b-4b42-a535-ed561beb4455","isTextHidden":null,"clipSource":null,"mapImageId":"49b4d682-e2d9-436b-aed7-0dc7da89db55","coordinates":[41.9575628,-87.6948082],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"In 2019 Santiago X (or X) was commissioned by the Chicago Public Art Group and The American Indian Center of Chicago to pay homage to the original inhabitants of Illinois. X is an Indigenous futurist artist and a citizen of the Coushatta of Louisiana and CHarmoru from the island of Guam. Coiled Serpent will be an effigy mound made in collaboration with various artisans and community members, such as Nilay Mistry (landscape artist), and honors the ancestral practice of mound building by using soil from various tribal lands. It will be located in Horner Park by the Chicago riverfront. Pokto Cinto and Coiled Serpent Mound are the two ends of the forthcoming Northwest Portage Walking Museum which aims to show the connection between indigenous cultures in Chicago and the land on which Chicago stands. On its completion Coiled Serpent will be a start/end point of a nine mile museum trail which discusses indigenous cultures within the Chicago urban space. \nPhoto via Chicago Public Art Group","hasLongDescription":true,"strokeWidth":null,"color":"#723FA6","ordering":1724560990911662,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"391ec35f-1187-43c9-9fa9-4b139ec71735","textAlign":null,"text":"Coiled Serpent Mound ","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"031c143e-8e8c-46c8-83fb-a719a5c0e85b","isTextHidden":null,"clipSource":{},"mapImageId":"91dae51a-6c9b-415d-bf01-6d7dfa595a83","coordinates":[41.890586,-87.623359],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"Tribune Tower is one of the most recognizable buildings in all of Chicago. \nThe building was constructed to house the Chicago Tribune newspaper and an international design competition was held at the behest of the paper's editor, Robert McCormick. \n\nPrior to and during construction, McCormick requested that Tribune news correspondents bring back pieces or fragments of notable buildings and sites from around the world. These stones were embedded into the base of the Tower with a notation marking their place of origin. There are more than 150 fragments embedded in the base of Tribune Tower. \n\nPhotograph by Ken Lund via Wikimedia Commons.","hasLongDescription":true,"strokeWidth":null,"color":"#2674BA","ordering":1724560990912718,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"4faf09bf-62da-4e66-af40-03afebb83880","textAlign":null,"text":"Tribune Tower","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"2ce943a9-1f06-4c67-b999-efd0b976d162","coordinates":[41.778902,-87.723028],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"Atop 6300 S Pulaski Rd. there is a giant fiberglass statue of an Indigenous man raising his open hand high. He is wearing white pants and shoes. Little is known of the statue's origin but it has adorned the business across several decades and changed accessories originally promoting cigars and tobacco, Midwest Eye Clinic, a cell phone repair shop, and now a family dentist office. The statue's clothes and accessories have changed across the years as well to complement the business. He was previously holding a sign for White Owl Cigars, but is mostly known for wearing glasses and displaying a sign saying “Eye Can See Now.\" Since the building has been occupied by the family dental office, the sign has been taken down and he stands bare-chested but is still is sporting a pair of glasses.\n\nThis fiberglass statue is an example of what are called \"muffler men\". According to the Smithsonian Magazine, these statues were created by the hundreds in the 1960s and 1970s to sell mufflers and tires. A California company, International Fiberglass, claims responsibility for their creation. \n\nhttps://www.smithsonianmag.com/travel/wanted-big-men-68672106/\n\nPhoto by Joshua Friedlein, Newberry Consultant.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404887006,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"b8346ba7-0328-43cd-b652-303d409f1593","textAlign":null,"text":"63 Family Dental Muffler Man","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725980246000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"cb2c5946-490e-4098-9553-2a0c2d43e243","coordinates":[41.6158816,-87.2604661],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"In 1912, the corporation U.S. Steel purchased 116 acres of lakefront property and donated it to the city of Gary, Indiana, for the purpose of a public park. The park was renamed after Father Jacques Marquette during the Great Depression, which is the same period during which the statue of Father Marquette was commissioned and installed. The artist was Henry Hering, who was also responsible for the relief sculpture \"The Defense\" on the DuSable Bridge in downtown Chicago just four years earlier.\n\nArtist: Henry Hering \nDate: 1932\nPhoto by Lee Lewellen via IndianaLandmarks.org. ","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886706,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"1a7c9402-52cc-4ee5-8365-9154fa453896","textAlign":null,"text":"Father Marquette Monument","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"c38bb0d4-0b55-41d1-a014-abdf289f6d86","isTextHidden":null,"clipSource":null,"mapImageId":"3a62f895-d1d3-4c28-966c-9bfc0bd7d587","coordinates":[41.9675498,-87.8468273],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"Alexander Robinson, whose Potawatomi name was Chechepinquay, was one of the signers of the 1829 Treaty of Prairie du Chien. He is referred to in the Treaty as one of the \"Chiefs of the United Chippewa, Ottawa, and Potawatomi Indians.\" For his role in the Treaty process, Robinson was granted 1,600 acres of land in Chicago. Robinson lived on his reserve until he died in 1872, and his descendants continued living there until 1955 when a fire destroyed the homestead. Parcels of the land were sold off by descendants over the intervening years.\n\nAfter the fire, the land somehow passed from Robinson family ownership into public ownership and became part of the Cook County Forest Preserves. Our research was unable to determine the exact process by which this occurred. Robinson and his wife, Catherine Chevalier, as well as some of their descendants remain buried at this site. ","hasLongDescription":true,"strokeWidth":null,"color":"#E8B500","ordering":1725076404885239,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"2c20a6e1-311d-464a-a9b2-64be52c39ec0","textAlign":null,"text":"Robinson Family Burial Ground","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"7b1a98de-b834-44e0-956d-b6ddc15702ed","coordinates":[41.87551,-87.62346],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"These two monumental sculptures are placed at the entrance to Grant Park in Congress Plaza. The 1909 Burnham Plan of Chicago originated the idea of sculptures acting as \"gatekeepers\" to the park. Both sculptures intentionally lack weapons, which is believed to be an intentional omission by the artist.\n\nThese two sculptures are another example of Indigenous misrepresentation. Artist Ivan Meštrović intended for the sculptures to \"commemorate the Native American and symbolize the struggle to settle\" the United States, so the Indigenous figures are depicted as warriors, a la the \"noble savage.\" Also, each has a war bonnet, which are more culturally identified with the Očhéthi Šakówiŋ (the endonym of the Great Sioux Nation) and other Indigenous Peoples of the Great Plains, rather than those who call Chicago home.\n\nArtist: Ivan Meštrović\nFunder: Benjamin Ferguson Monuments Fund\nDate: 1928\n\nPhoto Credit: Google.com via Pinterest.com.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886406,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"aca75afe-829c-4fa0-9dfe-58e389cb75f1","textAlign":null,"text":"The Bowman and the Spearman","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"fd48c6bc-6034-4654-a4a0-f0df81c5c620","coordinates":[42.2460017,-87.8733939],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This sculpture is located at the Mellody Farm Nature Preserve. The Preserve is managed by Lake Forest Open Lands, and the sculpture is dedicated to a past Executive Director of the organization. \n\nThe Mellody Farm Nature Preserve consists of lands that were once part of J. Ogden Armour's 1,200-acre estate. Armour was a prominent Chicago meatpacking magnate, who was an inspiration for one of the meatpacking owners in Upton Sinclair's \"The Jungle\". \n\nArtist: Allan Houser (Chiricahua Apache)\nPhoto by Nathan Staley, courtesy of Anthony Stamilio, Newberry Consultant","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886506,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"aacb8390-6cfb-4d7e-8cea-188dad5747cc","textAlign":null,"text":"Lament","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"ead91a5a-c5f7-49bc-a2ae-0e44b301c49c","coordinates":[41.9067608,-87.7016883],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This bronze statue depicts viking explorer Leif Erikson with shield in hand. Beneath the statue, a plaque reads “Discoverer of America.” It was created by Norwegian sculptor Sigvald Asbjørnsen and donated by Chicago’s Norwegian community in 1901 to commemorate the “discovery” of America. \nAsbjørnsen's fascination with \"discovery\" seems to run across his work -- he was also noted to have assisted Carl Rohl-Smith in his creation of the “Fort Dearborn Massacre” statue, which was formerly displayed at Fort Dearborn Park. \n\nArtist: Sigvald Asbjørnsen\nDate: 1901\n\nPhoto by Paul R. Burley via Wikimedia Commons ","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885406,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"8276ac86-9d76-4573-81f8-c4fc99bdd03a","textAlign":null,"text":"Leif Erikson Monument","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"9876b39c-4c82-4fd5-939a-f2c4fab6ef77","coordinates":[41.9279808,-87.6781068],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This monument is one of several dedicated to Jesuit Father Jacques Marquette, the first non-Native settler to traverse the Chicago portage in 1673. However he and his party, which included French explorer Louis Jolliet, were guided every step of the way by Native people. Jolliet and Marquette drew maps based on the expertise provided by Odawa people at the Jesuit Mission of St. Ignace on the upper peninsula of Michigan. They were then led by Myaamia guides as they traveled to the Mississippi River via the difficult Wisconsin and Fox River portage. On their way back, Kaskaskia guides led them through the Chicago portage to Lake Michigan. The entire journey would have been impossible without the extensive knowledge of the Native people who had used the portage for generations.\nIn spite of this support, monuments across the city show Marquette leading the journey, while Native guides crouch behind him or turn to the side, in submissive positions. This is one of several depictions of Marquette throughout Chicago, each of which perpetuates a false narrative of the subservience of Native people. \n\nThomas O'Shaughnessy, who created the initial sketch for this monument, also created the stained glass windows at Old St. Patrick's Cathedral, highlighted on this map.\n\nArtists: E.P. Seidel, based on a sketch by Thomas A. O'Shaughnessy\nDate: 1930\n\nPhoto by Roger Deschner via Chicago Monuments Project","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885506,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"6f5beb6d-51f9-4bb9-86b1-6e1499062d3a","textAlign":null,"text":"Jacques Marquette Monument ","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"4a300170-4713-4025-98c4-0a3700375eb6","coordinates":[41.928399,-87.7073358],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This monument was created to celebrate the 100th anniversary of the State of Illinois. At the foot of the column, the circular base includes a number of figures, including Native people and explorers, as well as people meant to symbolize labor, agriculture, and industry. Native people are often positioned in opposition to representations of \"progress\" and \"civilization\" in representations like this one, suggesting that Native life and culture is backwards, and the opposite of progress. \n\nArtist: Evelyn Beatrice Longman (1874-1954) and Henry Bacon (1866-1924)\nDate: 1918\n\nPhoto by Jyoti Srivastava via the Chicago Monuments Project","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885606,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"00b8f749-5fa2-4313-9274-a0dba0bdd2ab","textAlign":null,"text":"Illinois Centennial Monument","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"af0421b6-1b69-428c-b17c-b6cd9f954d98","coordinates":[41.889239,-87.6240716],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"As seen in this relief sculpture, French explorer Louis Jolliet and Jesuit priest Father Jacques Marquette, are often credited with discovering Chicago in 1673. However, Native people had been living at and traveling through Chicago for centuries before their arrival. Likewise, their journey through the Chicago portage, a critical link between the Great Lakes and the Mississippi River watershed, was made possible with the assistance of Native guides. In representations like this one, Marquette and Jolliet are centered and appear to be leading, while Native people cower behind or below them in subservient positions.\n\nArtist: James Earle Fraser (1928)\nFunder: William Wrigley Jr.\n\nPhoto by Joshua Friedlein, Newberry Consultant","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885706,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"846768aa-3eea-4fe7-a2b6-3856a40fdf68","textAlign":null,"text":"The Discoverers Relief Sculpture","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":{},"mapImageId":"261a32fb-baa0-423a-84e3-42ad3f2b3cdb","coordinates":[41.8884736,-87.6246952],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"The Defense is a sculpture representing the Battle of Fort Dearborn, which is an event that looms large in the collective memory of Chicago. The violence of the battle is often positioned as a random act of violence and has been used throughout history to cast Native people as savage, but in reality, it was one of several violent engagements during this time period in which Native people fought on both sides, and it was part of a much larger intertribal resistance movement coordinated by Shawnee leader Tecumseh against American invasion. In the centuries following the Battle of Fort Dearborn, the story of this event has been told and retold in various ways, but the most common narratives dehumanize Native people and stoke resentment against them. \n\nArtist: Henry Fraser (1928)\nFunder: Benjamin Ferguson Monuments Fund\n\nPhoto by Joshua Friedlein, Newberry Consultant.","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404885806,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"b811a833-54e0-4ab2-9c4a-56fd5d71c206","textAlign":null,"text":"The Defense Relief Sculpture","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"df0ec498-ecad-4a1c-95d1-267261cd5c55","isTextHidden":null,"clipSource":null,"mapImageId":"6f4be177-ccc3-4217-aa33-cbd6ccbecad8","coordinates":[41.886594,-87.7187312],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This piece was originally made as part of the sculpture groups welcoming visitors to the Agricultural Building at the 1893 World's Fair. It was paired with a sculpture of the Roman goddess of grain, Ceres. The Indian Maiden holds a brace of corn over her left shoulder and personifies the New World. Ceres, holding a bushel of grain, personifies the Old World. \n\nThe original sculptures that were displayed at the 1893 World's Fair were made of plaster and were destroyed after the Fair's conclusion. A bronze copy of both Ceres and the Indian Maiden were made in 1912 from surviving plaster casts and were placed in Chicago's Garfield Park, flanking the entrance to the park's gardens. \n\nThe Indian Maiden was stolen in 1986 and the statue of Ceres was severely vandalized. The Indian Maiden was lost until 2010, when it was located at an art auction in Virginia.\n\nArtists: Daniel Chester French and Edward C. Potter\nDate: 1893 (Original), 1912 (Current)\n\nPhoto by Joshua Friedlein, Newberry Consultant","hasLongDescription":true,"strokeWidth":null,"color":"#C93535","ordering":1725076404886106,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"35cfb76e-1a7a-45a6-a40d-0e1e8bc4ec08","textAlign":null,"text":"Bull and Indian Maiden Statue","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"60276f4d-9f8b-4b42-a535-ed561beb4455","isTextHidden":null,"clipSource":null,"mapImageId":"11fbbe37-2a70-4d6a-8c17-7db3869903bc","coordinates":[41.9528684,-87.8498518],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"In 2019 Santiago X (or X) was commissioned by the Chicago Public Art Group and The American Indian Center of Chicago to pay homage to the original inhabitants of Illinois. X is an Indigenous futurist artist and a citizen of the Coushatta of Louisiana and CHarmoru from the island of Guam. Pokto Cinto is the Koasati (language of the Coushatta) translation of Serpent Twin. The effigy mound is made in collaboration with various artisans and community members such as Nilay Mistry (landscape artist) and honors the ancestral practice of mound building by using soil from various tribal lands. Located in Schiller Woods, Pokto Cinto marks the Des Plaines River on one end of Irving Park road and is bookended by a forthcoming Coiled Serpent mound in Horner Park.\n\nPhoto via Chicago Public Art Group","hasLongDescription":true,"strokeWidth":null,"color":"#723FA6","ordering":1724560990911470,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"09629d2c-e1bb-4ee0-b153-fedf2554700e","textAlign":null,"text":"Pokto Cinto (Serpent Twin)","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"a255d8c0-3dd8-41d6-a734-1de22de8fbbf","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"031c143e-8e8c-46c8-83fb-a719a5c0e85b","isTextHidden":null,"clipSource":null,"mapImageId":"a3fb9ff7-abec-4651-aba6-a3edbbc73c98","coordinates":[41.87949,-87.64423],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"This stained glass window depicts Catholic Saint, Brendan the Navigator. Brendan was born in Ireland in the fifth century CE and is canonized by the Catholic Church as one of the Twelve Apostles of Ireland. Brendan is revered for his mythic journey to the Isle of St. Brendan,\" which was written about five hundred years later in the book \"Navigatio Sancti Brendani Abbatis.\" While there is no evidence that St. Brendan reached North America, over the past two centuries, many have claimed that he did and became the first European to do so. \n\nIn this stained glass window, St. Brendan is depicted by artist Thomas A. O'Shaughnessy as proselytizing to Indigenous People that resemble Indigenous People of North America or the Caribbean. \n\nArtist: Thomas A. O'Shaughnessy\nDate: 1912-1922\n\nPhotograph by Joshua Friedlein, Newberry Consultant.","hasLongDescription":true,"strokeWidth":null,"color":"#2674BA","ordering":1724560990912622,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"2e4d72a8-e0e6-4a5b-b3a5-4ea1b485b083","textAlign":null,"text":"Old St. Patrick's Church","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null},{"hideFromLegend":null,"author":"b82ed95b-d848-4d51-ac8b-9432e4e3e4c5","strokeStyle":null,"showRadius":null,"zoom":null,"rotation":null,"position":null,"createdAtUnixTimeMs":1725971729000,"radiusDisplayAngle":90,"showLength":null,"parentId":"c38bb0d4-0b55-41d1-a014-abdf289f6d86","isTextHidden":null,"clipSource":{},"mapImageId":"1c9aae65-8fe1-47df-885b-4aa857927f14","coordinates":[42.0160819,-87.6751994],"icon":null,"locked":false,"attributes":[],"isHidden":null,"frame":null,"label":null,"isCollapsed":null,"symbol":"dot","size":null,"description":"In the 1816 Treaty of St. Louis, the Odawak, Ojibweg, and Potawatomi ceded a twenty mile wide strip on the western boundary of Lake Michigan, ten miles north and ten miles south of the Chicago River as well as a strip of land extending to the Fox River. This treaty established the Indian Boundary Line, an invisible line that Indigenous people had to move their villages north of; but they still retained the right to hunt and fish on the ceded land. The Odawak, Ojibweg, and Potawatomi agreed to this treaty did so in exchange for commitments from settlers to provide $1000 worth of goods annually for twelve years. In 1937, the city established this plaque at the intersection of Rogers Ave and Clark St. to commemorate the treaty.\n\nDate: 1937\n\nPhoto by Jyoti Srivastava via Chicago Monuments Project","hasLongDescription":true,"strokeWidth":null,"color":"#E8B500","ordering":1724560990913006,"showEndcaps":null,"opacity":null,"routeMode":null,"widthScale":1,"showLinkPreview":null,"id":"0820ae56-e68e-4c40-9cd0-51b50e1e3d2d","textAlign":null,"text":"Indian Boundary Line Plaque","showArea":null,"scale":null,"mapLinkId":null,"onClick":null,"fillOpacity":null,"radiusDisplayUnit":null,"textStyle":null,"type":"Place","strokeOpacity":null,"radius":null}],"constraints":{"bounds":null,"maxZoom":null,"minZoom":null},"flashMessages":[],"mapColorPalette":[],"maxTileURLLength":2000,"partnerBranding":null,"mapDescription":"This map shows examples of the many representations of Native people and histories that exist across the Chicagoland area in statues, monuments, signage, architecture, and other types of public art. The vast majority of these representations romanticize, misrepresent, or minimize the contributions of Native people. Others do not include Native people at all, but celebrate colonialism or depict narratives of “discovery.” Native people have long critiqued representations like these and created their own public art to celebrate Native teachings and lifeways. We have striven to represent all of these types of iconography across the map","teams":[],"mapbox_api_token":"pk.eyJ1IjoiZmVsdG1hcHMiLCJhIjoiY20wZndoenl1MTFrYzJxb2czemdpNGFvZCJ9.y7NzVOMNQNTC487xOYTk7Q","mapId":"e6a2c388-4ba8-4456-a732-6f3b80fcceee"}